115 bars of 4/4 at 118 BPM, about 3:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 69-84 -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 28 times: bars 7, 8, 11, 12, 16, 18 and 22 more.
12 more fills are written out on the fills page.
115 bars across 13 sections: 62 keep time, 29 are fills, 2 are stops and 11 are silent. The longest unbroken stretch of time is bars 69-84.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
115 bars, about 3:51 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 28 times: bars 7, 8, 11, 12, 16, 18 and 22 more.