354 bars of 4/4 at 120 BPM, about 10:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 299, 301 and 303, and 11 more places -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 54 times: bars 2, 14, 18, 20, 22, 24 and 48 more.
13 more fills are written out on the fills page.
398 bars across 40 sections: 229 keep time, 55 are fills, 48 are stops and 28 are silent. The longest unbroken stretch of time is bars 95-113.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
354 bars, about 10:35 at the written tempo. The course breaks it into 123 exercises over 32 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 54 times: bars 2, 14, 18, 20, 22, 24 and 48 more.