116 bars of 4/4 at 120 BPM, about 3:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 37-39, 41-43 and 57, and 6 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 32 times: bars 4, 20, 32, 33, 34, 35 and 26 more.
6 more fills are written out on the fills page.
116 bars across 15 sections: 58 keep time, 32 are fills, 8 are stops and 2 are silent. The longest unbroken stretch of time is bars 6-12.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
116 bars, about 3:52 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 32 times: bars 4, 20, 32, 33, 34, 35 and 26 more.