300 bars of 4/4 at 118 BPM, about 10:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-19, 22-35 and 38-41, and 2 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 48 times: bars 20, 21, 36, 37, 42, 44 and 42 more.
15 more fills are written out on the fills page.
300 bars across 38 sections: 179 keep time, 48 are fills, 27 are stops and 6 are silent. The longest unbroken stretch of time is bars 56-66.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 25 out of 100; the rest of the number is everything around it.
300 bars, about 10:01 at the written tempo. The course breaks it into 102 exercises over 32 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 48 times: bars 20, 21, 36, 37, 42, 44 and 42 more.