126 bars of 4/4 at a walking 78 BPM, 6:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-26, 49-55 and 83-90, and 1 more place -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 11 times: bars 16, 19, 20, 32, 48, 56 and 5 more.
5 more fills are written out on the fills page.
126 bars across 14 sections: 86 keep time, 11 are fills and 10 are stops. The longest unbroken stretch of time is bars 1-15.
78 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
126 bars, about 6:28 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 16, 19, 20, 32, 48, 56 and 5 more.