123 bars of 4/4 at 136 BPM, about 3:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 42-44, and 3 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 4, 16, 35, 37, 41, 49 and 6 more.
3 more fills are written out on the fills page.
123 bars across 12 sections: 94 keep time, 12 are fills, 1 is a stop and 2 are silent. The longest unbroken stretch of time is bars 75-90.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
123 bars, about 3:37 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 4, 16, 35, 37, 41, 49 and 6 more.