180 bars of 4/4 at 125 BPM, about 5:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-20, 22-23 and 26-28, and 9 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 10, 12, 16, 24, 56, 60 and 8 more.
3 more fills are written out on the fills page.
180 bars across 10 sections: 136 keep time, 14 are fills and 25 are silent. The longest unbroken stretch of time is bars 153-180.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 53 out of 100; the rest of the number is everything around it.
180 bars, about 5:46 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 10, 12, 16, 24, 56, 60 and 8 more.