210 bars of 4/4 at 130 BPM, about 6:28 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26, 28 and 30, and 54 more places -- 30.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 139, 162, 206, 207, 208 and 209.
210 bars across 21 sections: 147 keep time, 6 are fills, 17 are stops and 22 are silent. The longest unbroken stretch of time is bars 141-160.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
210 bars, about 6:28 at the written tempo. The course breaks it into 39 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 139, 162, 206, 207, 208 and 209.