173 bars of 4/4 at 125 BPM, about 5:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 24-26, 28-30 and 32-38, and 6 more places -- 23.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 39 times: bars 15, 17, 19, 21, 23, 27 and 33 more.
16 more fills are written out on the fills page.
173 bars across 18 sections: 91 keep time, 39 are fills, 20 are stops and 4 are silent. The longest unbroken stretch of time is bars 1-8.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
173 bars, about 5:32 at the written tempo. The course breaks it into 62 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 39 times: bars 15, 17, 19, 21, 23, 27 and 33 more.