98 bars of 3/4 -- not four -- at 80 BPM, 4:02 of playing on crash, ride, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8-22 and 31 -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 13 times: bars 1, 2, 3, 4, 5, 6 and 7 more.
1 more fill is written out on the fills page.
110 bars across 8 sections: 49 keep time, 13 are fills, 16 are stops and 27 are silent. The longest unbroken stretch of time is bars 8-22.
80 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
98 bars, about 4:02 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 27 minutes each.
crash, ride, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 1, 2, 3, 4, 5, 6 and 7 more.