122 bars, 6:57, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
79 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-6, ride through bars 7-10, hi-hat through bars 11-25, ride through bars 26-33, hi-hat through bars 34-80 and kick and crashes through bars 81-88, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 34, 36-40 and 42, and 9 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34
1.......2.......3.......4.......
CC |x-------------------------------|
HH |o---o---o---o---o---o---o---o---|
SD |--------x---------------x---x---|
BD |x-----x---------x-----x-----x---|17 fills to learn, played 30 times: bars 5, 6, 8, 9, 22, 23 and 24 more.
It cuts the song into 61 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
122 bars, about 6:57 at the written tempo. The course breaks it into 61 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 30 times: bars 5, 6, 8, 9, 22, 23 and 24 more.