122 bars, 6:57, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 34, 36-40 and 42, and 9 more places -- 15.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 30 times: bars 5, 6, 8, 9, 22, 23 and 24 more.
13 more fills are written out on the fills page.
122 bars across 15 sections: 71 keep time, 30 are fills and 4 are silent. The longest unbroken stretch of time is bars 105-118.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
122 bars, about 6:57 at the written tempo. The course breaks it into 61 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 30 times: bars 5, 6, 8, 9, 22, 23 and 24 more.