106 bars of 4/4 at 116 BPM, about 3:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 18-20, 22-24 and 34-36, and 7 more places -- 28.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 13 times: bars 4, 17, 33, 47, 54, 55 and 7 more.
3 more fills are written out on the fills page.
106 bars across 13 sections: 70 keep time, 13 are fills, 9 are stops and 4 are silent. The longest unbroken stretch of time is bars 10-16.
116 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
106 bars, about 3:37 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 4, 17, 33, 47, 54, 55 and 7 more.