176 bars of 4/4 at 120 BPM, about 5:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-2, toms through bars 3-4, hi-hat through bars 5-13, snare through bars 14-54, hi-hat through bars 55-62 and snare through bars 63-69, and 5 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 136-138, 140-142 and 144-146, and 7 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
136 137
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |X---X---X---X---|X---X---X---X---|
SD |--------X-------|--------X-------|
BD |XXX-XXX---XXX-X-|XXX-XXX-XXX-XXX-|10 fills to learn, played 24 times: bars 1, 3, 4, 5, 13, 17 and 18 more.
It cuts the song into 42 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
176 bars, about 5:52 at the written tempo. The course breaks it into 42 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 24 times: bars 1, 3, 4, 5, 13, 17 and 18 more.