The beat the song is built on is one bar, played through bars 9-11, 13-15 and 17-19, and 9 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on snare, mid tom and floor tom, counted in sixteenth notes. On its own it scores 11 out of 100 -- straightforward -- and the thing that decides that is how many notes a second it asks for.
The whole song is 45 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 150 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 150, 175 and 200 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on snare, mid tom and floor tom, in 4/4 at 200 BPM, counted in sixteenth notes. It is written out above, and it covers 33.6% of the bars the kit plays.
Bars 9-11, 13-15, 17-19 and 21-23, and 8 more places. The time is kept on the toms to start with, and it changes 2 times over the song.
11 out of 100 on its own -- straightforward. The song as a whole is 45 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.