The beat the song is built on is one bar, played through bars 2-4, 6-8 and 11-13, and 13 more places -- 34.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on snare, kick and hi-hat foot, counted in sixteenth notes. On its own it scores 54 out of 100 -- a step up -- and the thing that decides that is how many notes a second it asks for.
The whole song is 63 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 88 BPM, and adds the notes back a rung at a time -- 4 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 88, 104, 119 and 135 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on snare, kick and hi-hat foot, in 4/4 at 135 BPM, counted in sixteenth notes. It is written out above, and it covers 34.7% of the bars the kit plays.
Bars 2-4, 6-8, 11-13 and 16-18, and 12 more places. The time is kept on the toms to start with, and it changes 17 times over the song.
54 out of 100 on its own -- a step up. The song as a whole is 63 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.