226 bars of 4/4 at 125 BPM, about 7:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 39-41, 43-45 and 47-48, and 20 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 33 times: bars 6, 18, 34, 38, 42, 46 and 27 more.
17 more fills are written out on the fills page.
226 bars across 29 sections: 111 keep time, 33 are fills, 41 are stops and 6 are silent. The longest unbroken stretch of time is bars 91-97.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
226 bars, about 7:06 at the written tempo. The course breaks it into 97 exercises over 31 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 33 times: bars 6, 18, 34, 38, 42, 46 and 27 more.