167 bars of 4/4 at 138 BPM, about 5:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 27-38, 79-86 and 127-134 -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 24 times: bars 26, 50, 54, 76, 78, 88 and 18 more.
9 more fills are written out on the fills page.
167 bars across 15 sections: 105 keep time, 24 are fills, 12 are stops and 9 are silent. The longest unbroken stretch of time is bars 27-38.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
167 bars, about 5:04 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 24 times: bars 26, 50, 54, 76, 78, 88 and 18 more.