167 bars of 4/4 at 138 BPM, about 5:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
68 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 3-6, hi-hat through bars 7-24, ride through bars 25-42, hi-hat through bars 43-50, ride through bars 51-55 and toms through bars 56-57, and 12 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 27-38, 79-86 and 127-134 -- 17.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 28
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
RD |--x---x---x---x-|--x---x---x---x-|
SD |--------x---x---|------x-----x---|
T2 |----x-x---------|----------------|
FT |----------------|----x-----------|
BD |x---x---x---x---|x---x---x---x---|13 fills to learn, played 24 times: bars 26, 50, 54, 76, 78, 88 and 18 more.
It cuts the song into 50 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
167 bars, about 5:04 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 24 times: bars 26, 50, 54, 76, 78, 88 and 18 more.