The drum beat in Timro Maya

The beat the song is built on is one bar, played through bars 26-32, 62-64 and 66-68, and 3 more places -- 33% of every bar the kit plays. That is the spine of it; everything else is what happens around it.

It is played on crash, hi-hat, snare and kick, counted in thirty-second notes. On its own it scores 46 out of 100 -- a step up -- and the thing that decides that is the independence between the hands and the feet.

The whole song is 57 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.

The room opens this beat on its simplest reduction, at 66 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.

1. Skeleton. Only the notes that land on a beat. The point is to feel where this bar stands.
2. Kick and snare, whole. The feet and the snare exactly as written, hi-hat pulled back to quarter notes. This is the part to know by heart.
3. Every note, flat. All the notes, but the hi-hat stays closed and nothing is ghosted or accented.
4. As written. Open hi-hat, ghost notes, accents and the crash where they belong.

Tempo goes 66, 77 and 88 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.