102 bars of 4/4 at 120 BPM, about 3:22 of playing, on crash, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 7-11, 53-55 and 62-66, and 2 more places -- 23.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 3 times: bars 51, 81 and 102.
102 bars across 18 sections: 80 keep time, 3 are fills and 3 are silent. The longest unbroken stretch of time is bars 25-35.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
102 bars, about 3:22 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 3 times: bars 51, 81 and 102.