98 bars of 4/4 at 130 BPM, about 3:01 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-12, 38-44 and 46-48, and 5 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 11 times: bars 13, 45, 49, 57, 67, 69 and 5 more.
1 more fill is written out on the fills page.
98 bars across 10 sections: 59 keep time, 11 are fills, 2 are stops and 14 are silent. The longest unbroken stretch of time is bars 15-29.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
98 bars, about 3:01 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 13, 45, 49, 57, 67, 69 and 5 more.