33 bars of 4/4 at 118 BPM, about 1:07 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 7 and 10-11, and 4 more places -- 30.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 7 times: bars 8, 12, 16, 20, 24, 28 and 1 more.
3 more fills are written out on the fills page.
33 bars across 2 sections: 19 keep time, 7 are fills and 5 are stops. The longest unbroken stretch of time is bars 2-7.
118 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
33 bars, about 1:07 at the written tempo. The course breaks it into 15 exercises over 5 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 7 times: bars 8, 12, 16, 20, 24, 28 and 1 more.