191 bars of 4/4 at 125 BPM, about 6:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11, 13-15 and 21-23, and 5 more places -- 12.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 57 times: bars 8, 12, 16, 24, 32, 40 and 51 more.
24 more fills are written out on the fills page.
191 bars across 19 sections: 102 keep time, 57 are fills and 15 are stops. The longest unbroken stretch of time is bars 1-7.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 18 out of 100; the rest of the number is everything around it.
191 bars, about 6:07 at the written tempo. The course breaks it into 77 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 57 times: bars 8, 12, 16, 24, 32, 40 and 51 more.