241 bars, 15:14, at 56 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 7, 9 and 11, and 29 more places -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 40 times: bars 5, 6, 18, 22, 26, 28 and 34 more.
26 more fills are written out on the fills page.
241 bars across 22 sections: 63 keep time, 40 are fills, 101 are stops and 21 are silent. The longest unbroken stretch of time is bars 180-188.
56 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
241 bars, about 15:14 at the written tempo. The course breaks it into 72 exercises over 16 sittings, about 30 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 40 times: bars 5, 6, 18, 22, 26, 28 and 34 more.