81 bars of 4/4 at 122 BPM, about 2:39 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1-3, 5-6 and 9-10, and 5 more places -- 21% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 6 times: bars 12, 31, 32, 38, 63 and 80.
81 bars across 7 sections: 62 keep time, 6 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-11.
122 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 71 out of 100; the rest of the number is everything around it.
81 bars, about 2:39 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 12, 31, 32, 38, 63 and 80.