153 bars of 4/4 at 136 BPM, about 4:30 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 18-19, 22-23 and 38-39, and 5 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 40, 51, 52, 55, 56, 88 and 2 more.
1 more fill is written out on the fills page.
153 bars across 19 sections: 106 keep time, 8 are fills, 15 are stops and 14 are silent. The longest unbroken stretch of time is bars 18-30.
136 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
153 bars, about 4:30 at the written tempo. The course breaks it into 40 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 40, 51, 52, 55, 56, 88 and 2 more.