137 bars of 4/4 at 120 BPM, about 4:35 of playing, on crash, hi-hat, snare, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-68, toms through bars 69-70, hi-hat through bars 71-135 and silence through bars 136-137.
The beat the song is built on is one bar, played through bars 14-20, 23 and 27, and 15 more places -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
23
1e+a2e+a3e+a4e+a
CC |--------------x-|
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x---x---x-x-x-x-|3 fills to learn, played 7 times: bars 42, 46, 67, 68, 69, 70 and 1 more.
It cuts the song into 35 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
137 bars, about 4:35 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 7 times: bars 42, 46, 67, 68, 69, 70 and 1 more.