137 bars of 4/4 at 120 BPM, about 4:35 of playing, on crash, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-20, 23 and 27, and 15 more places -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 7 times: bars 42, 46, 67, 68, 69, 70 and 1 more.
137 bars across 13 sections: 113 keep time, 7 are fills, 1 is a stop and 3 are silent. The longest unbroken stretch of time is bars 106-127.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
137 bars, about 4:35 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 7 times: bars 42, 46, 67, 68, 69, 70 and 1 more.