184 bars of 4/4 at 133 BPM, about 5:32 of playing, on crash, hi-hat, snare, high tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 27-29, and 13 more places -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 9 times: bars 1, 35, 36, 69, 70, 78 and 3 more.
184 bars across 12 sections: 135 keep time, 9 are fills, 20 are stops and 3 are silent. The longest unbroken stretch of time is bars 125-151.
133 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
184 bars, about 5:32 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 9 times: bars 1, 35, 36, 69, 70, 78 and 3 more.