97 bars of 4/4 at 110 BPM, about 3:32 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 21-26, 29-31 and 49-51, and 4 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 6 times: bars 20, 52, 80, 81, 89 and 97.
1 more fill is written out on the fills page.
97 bars across 14 sections: 77 keep time, 6 are fills and 1 is silent. The longest unbroken stretch of time is bars 21-31.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
97 bars, about 3:32 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 20, 52, 80, 81, 89 and 97.