144 bars of 3/4 -- not four -- at 116 BPM, 3:44 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 33-35, and 6 more places -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 17 times: bars 10, 14, 22, 24, 48, 50 and 11 more.
3 more fills are written out on the fills page.
144 bars across 8 sections: 105 keep time, 17 are fills, 4 are stops and 11 are silent. The longest unbroken stretch of time is bars 25-47.
116 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
144 bars, about 3:44 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 17 times: bars 10, 14, 22, 24, 48, 50 and 11 more.