The beat the song is built on is a 2-bar phrase, played through bars 18-21, 26-29 and 49-52, and 1 more place -- 15.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
It is played on crash, snare and kick, counted in thirty-second notes. On its own it scores 41 out of 100 -- a fair first song -- and the thing that decides that is how fine the subdivision is.
The whole song is 81 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 90 BPM -- and adds the notes back over 3 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 90, 105 and 120 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, snare and kick, in 4/4 at 120 BPM, counted in thirty-second notes. It is written out above, and it covers 15.7% of the bars the kit plays.
Bars 18-21, 26-29, 49-52 and 57-60. The time is kept on the ride to start with, and it changes 16 times over the song.
41 out of 100 on its own -- a fair first song. The song as a whole is 81 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.