325 bars of 4/4 at 130 BPM, about 10:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 109-115, 117-119 and 121-123, and 3 more places -- 9.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34 fills to learn, played 59 times: bars 9, 17, 24, 35, 37, 41 and 53 more.
30 more fills are written out on the fills page.
325 bars across 32 sections: 138 keep time, 60 are fills, 29 are stops and 62 are silent. The longest unbroken stretch of time is bars 101-107.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 55 out of 100; the rest of the number is everything around it.
325 bars, about 10:49 at the written tempo. The course breaks it into 116 exercises over 34 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
34 fills to learn, played 59 times: bars 9, 17, 24, 35, 37, 41 and 53 more.