157 bars of 4/4 at 140 BPM, about 4:29 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 33, and 15 more places -- 31.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
12 fills to learn, played 22 times: bars 16, 32, 40, 50, 51, 56 and 16 more.
8 more fills are written out on the fills page.
157 bars across 20 sections: 87 keep time, 22 are fills, 13 are stops and 17 are silent. The longest unbroken stretch of time is bars 22-31.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
157 bars, about 4:29 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 22 times: bars 16, 32, 40, 50, 51, 56 and 16 more.