162 bars of 4/4 at 131 BPM, about 5:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 38-41, 46-49 and 63-66, and 1 more place -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 50 times: bars 14, 21, 30, 36, 37, 39 and 44 more.
13 more fills are written out on the fills page.
162 bars across 17 sections: 91 keep time, 50 are fills and 3 are silent. The longest unbroken stretch of time is bars 1-13.
131 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
162 bars, about 5:05 at the written tempo. The course breaks it into 62 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 50 times: bars 14, 21, 30, 36, 37, 39 and 44 more.