128 bars of 4/4 at 120 BPM, about 4:16 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 9-10, 17-19 and 21-23, and 5 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 13 times: bars 20, 24, 40, 44, 56, 57 and 7 more.
1 more fill is written out on the fills page.
128 bars across 14 sections: 77 keep time, 13 are fills, 6 are stops and 19 are silent. The longest unbroken stretch of time is bars 78-91.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
128 bars, about 4:16 at the written tempo. The course breaks it into 37 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
5 fills to learn, played 13 times: bars 20, 24, 40, 44, 56, 57 and 7 more.