116 bars of 4/4 at 145 BPM, about 3:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 16 and 24, and 8 more places -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 21 times: bars 4, 28, 32, 36, 40, 44 and 15 more.
5 more fills are written out on the fills page.
116 bars across 15 sections: 72 keep time, 21 are fills and 5 are stops. The longest unbroken stretch of time is bars 63-68.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
116 bars, about 3:12 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 21 times: bars 4, 28, 32, 36, 40, 44 and 15 more.