115 bars of 4/4 at 130 BPM, about 3:35 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 49-51, 53-55 and 60-64, and 5 more places -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 34 times: bars 8, 12, 16, 20, 24, 28 and 28 more.
10 more fills are written out on the fills page.
115 bars across 15 sections: 65 keep time, 34 are fills and 5 are silent. The longest unbroken stretch of time is bars 29-35.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
80 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 85 out of 100; the rest of the number is everything around it.
115 bars, about 3:35 at the written tempo. The course breaks it into 43 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 34 times: bars 8, 12, 16, 20, 24, 28 and 28 more.