226 bars of 4/4 at 130 BPM, about 7:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-16 and 53-63 -- 11.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 80 times: bars 33, 34, 35, 36, 38, 44 and 74 more.
19 more fills are written out on the fills page.
226 bars across 18 sections: 102 keep time, 80 are fills, 7 are stops and 20 are silent. The longest unbroken stretch of time is bars 120-141.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
226 bars, about 7:13 at the written tempo. The course breaks it into 82 exercises over 27 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 80 times: bars 33, 34, 35, 36, 38, 44 and 74 more.