145 bars of 4/4 at 137 BPM, about 4:14 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 15, 20 and 22, and 22 more places -- 29.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 18 times: bars 19, 27, 35, 43, 55, 63 and 12 more.
5 more fills are written out on the fills page.
145 bars across 14 sections: 100 keep time, 18 are fills, 5 are stops and 5 are silent. The longest unbroken stretch of time is bars 82-110.
137 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
145 bars, about 4:14 at the written tempo. The course breaks it into 37 exercises over 13 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 18 times: bars 19, 27, 35, 43, 55, 63 and 12 more.