272 bars of 4/4 at 138 BPM, about 8:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 17, 21-26 and 29-34, and 10 more places -- 19.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 46 times: bars 13, 15, 19, 35, 43, 51 and 40 more.
22 more fills are written out on the fills page.
272 bars across 19 sections: 183 keep time, 46 are fills, 2 are stops and 16 are silent. The longest unbroken stretch of time is bars 183-206.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
272 bars, about 8:03 at the written tempo. The course breaks it into 80 exercises over 22 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 46 times: bars 13, 15, 19, 35, 43, 51 and 40 more.