The beat the song is built on is one bar, played through bars 21-52, 56 and 58, and 3 more places -- 32.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 49 out of 100 -- a step up -- and the thing that decides that is the speed of the hand keeping time.
The whole song is 59 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
The room opens this beat on its simplest reduction, at 89 BPM, and adds the notes back a rung at a time -- 3 of them. Nothing is a matter of opinion: each rung has a tempo to reach and a gate to pass before the next one.
Tempo goes 89, 104 and 119 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on hi-hat, snare and kick, in 4/4 at 119 BPM, counted in sixteenth notes. It is written out above, and it covers 32.8% of the bars the kit plays.
Bars 21-52, 56, 58 and 60, and 2 more places. The time is kept on the hi-hat to start with, and it changes 2 times over the song.
49 out of 100 on its own -- a step up. The song as a whole is 59 out of 100, a step up from a first song, and the work is in the speed of the hand keeping time.