127 bars of 4/4 at a walking 106 BPM, 4:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-12, 15-16 and 27-28, and 23 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 6 times: bars 54, 58, 66, 94, 102 and 114.
127 bars across 8 sections: 92 keep time, 6 are fills, 13 are stops and 6 are silent. The longest unbroken stretch of time is bars 19-48.
106 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
127 bars, about 4:48 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 54, 58, 66, 94, 102 and 114.