101 bars of 4/4 at 125 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17, 19 and 27, and 12 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 33 times: bars 12, 16, 18, 20, 22, 24 and 27 more.
11 more fills are written out on the fills page.
101 bars across 11 sections: 48 keep time, 33 are fills, 8 are stops and 4 are silent. The longest unbroken stretch of time is bars 95-101.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
101 bars, about 3:14 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 33 times: bars 12, 16, 18, 20, 22, 24 and 27 more.