104 bars of 4/4 at 123 BPM, about 3:23 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 3-5, 7-9 and 11-13, and 9 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1 fill to learn, played 4 times: bars 34, 42, 66 and 89.
104 bars across 11 sections: 80 keep time, 7 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 3-17.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
104 bars, about 3:23 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 4 times: bars 34, 42, 66 and 89.