145 bars of 4/4 at 151 BPM, about 3:50 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-60, snare through bars 61-64, hi-hat through bars 65-81, silence through bars 82-87, hi-hat through bars 88-138 and ride through bars 139-145.
The beat the song is built on is a 2-bar phrase, played through bars 43-56, 103-106 and 109-112, and 2 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
43 44
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |--o---o---o---o-|--o---o---o---o-|
SD |----x-------x---|----x-----x---x-|
BD |x-------x-------|x-------x---x---|
HF |----x---x---x---|x---x---x---x---|9 fills to learn, played 24 times: bars 7, 8, 32, 39, 40, 59 and 18 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
151 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
145 bars, about 3:50 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 24 times: bars 7, 8, 32, 39, 40, 59 and 18 more.