145 bars of 4/4 at 151 BPM, about 3:50 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 43-56, 103-106 and 109-112, and 2 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 24 times: bars 7, 8, 32, 39, 40, 59 and 18 more.
5 more fills are written out on the fills page.
145 bars across 14 sections: 98 keep time, 24 are fills, 3 are stops and 7 are silent. The longest unbroken stretch of time is bars 9-31.
151 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
145 bars, about 3:50 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 24 times: bars 7, 8, 32, 39, 40, 59 and 18 more.