138 bars of 4/4 at 121 BPM, about 4:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 12 and 20-21, and 12 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 25 times: bars 8, 9, 16, 17, 25, 40 and 19 more.
8 more fills are written out on the fills page.
138 bars across 16 sections: 87 keep time, 26 are fills and 1 is a stop. The longest unbroken stretch of time is bars 81-88.
121 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in how often it moves around the kit. The beat itself is 36 out of 100; the rest of the number is everything around it.
138 bars, about 4:33 at the written tempo. The course breaks it into 59 exercises over 16 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 25 times: bars 8, 9, 16, 17, 25, 40 and 19 more.