110 bars of 4/4 at 130 BPM, about 3:23 of playing, on crash, ride, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-15, and 5 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 4 times: bars 49, 65, 105 and 106.
110 bars across 8 sections: 64 keep time, 4 are fills, 37 are stops and 3 are silent. The longest unbroken stretch of time is bars 66-76.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
110 bars, about 3:23 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 23 minutes each.
crash, ride, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 49, 65, 105 and 106.